Ms 22 Assignment 2013 Movies

22 Jump Street is a 2014 American actioncomedy film directed by Phil Lord and Christopher Miller, written by Jonah Hill, Michael Bacall, Oren Uziel and Rodney Rothman and produced by and starring Hill and Channing Tatum. It is the sequel to the 2012 film 21 Jump Street, based on the television series of the same name. The film was released on June 13, 2014, by Columbia Pictures and Metro-Goldwyn-Mayer. The film received positive reviews and earned over $331 million at the box office.

A crossover with Men in Black, MIB 23, is in development, with Lord and Miller acting as producers,[5][6] and James Bobin acting as the director.[7][8] The crossover will replace a 23 Jump Street film.

Plot[edit]

Two years following their success in the 21 Jump Street program, Schmidt (Jonah Hill) and Jenko (Channing Tatum) are back on the streets chasing narcotics. However, after failing in the pursuit of a group of drug dealers led by Ghost (Peter Stormare), Deputy Chief Hardy (Nick Offerman) puts the duo back on the program to work for Captain Dickson (Ice Cube) – now located across the street at 22 Jump Street. Their assignment is to go undercover as college students and locate the supplier of a drug known as "WHY-PHY" (Work Hard? Yes, Play Hard? Yes) which killed a student photographed buying it on campus from a dealer.

At college, Jenko quickly makes friends with a pair of jocks named Zook (Wyatt Russell) and Rooster (Jimmy Tatro), the latter being a prime suspect of the investigation. Jenko starts attending parties with the jocks who do not take as kindly to Schmidt. Meanwhile, Schmidt gets the attention of an art student, Maya (Amber Stevens), by feigning an interest in slam poetry. The two sleep together, to the disapproval of Maya's roommate Mercedes (Jillian Bell), and Schmidt later finds that Maya is the daughter of Captain Dickson, whom Schmidt bragged to about "getting laid", much to Dickson's fury. Despite sleeping together, Maya tells Schmidt not to take it seriously, and he starts to feel left out as Jenko bonds more and more with Zook who encourages him to join the football team.

When Schmidt and Jenko are unable to identify the dealer, they visit Mr. Walters (Rob Riggle) and Eric (Dave Franco) in jail for advice. After confessing the two are having regular intercourse, Walters points out a unique tattoo on the arm of the dealer in the photograph. Whilst hanging out with Zook and Rooster, Jenko notices that Rooster does not have the tattoo but sees it on Zook's arm. Schmidt and Jenko are invited to join the fraternity led by the jocks but Schmidt refuses, furthering the tension between the two as Jenko passes their requirements. They later realize that Zook is not the dealer but rather another customer. Soon afterwards, they find Ghost and his men on campus, but Ghost again evades them. Jenko reveals to Schmidt that he has been offered a football scholarship with Zook and is uncertain about his future as a police officer. Afterwards, Schmidt reveals his true identity and moves out of the dorm, angering Maya.

Spring break arrives and Schmidt goes after Ghost. He is joined by Jenko, so the two can have one final mission together. The pair head to the beach where Ghost is likely to be dealing WHY-PHY. Inside a bar, they find Mercedes, who is Ghost's daughter, giving instructions to other dealers. The pair, backed up by Dickson and the rest of Jump Street, ambush the meeting. Ghost flees, while Mercedes is knocked out by Schmidt. While pursuing Ghost, Jenko is shot in the shoulder. Ghost attempts to escape in a helicopter; Schmidt and Jenko manage to jump across to it, but they fall into the sea due to Jenko's injured arm. However, Jenko is able to throw a grenade into the helicopter. Ghost celebrates his victory prematurely while the grenade explodes, sending the totalled remains into the sea. Jenko tells Schmidt that he still wants to be a police officer as he believes their differences help their partnership, and the two reconcile in front of a cheering crowd. Dickson approaches them claiming to have a new mission undercover at a med school.

During the credits, Jenko and Schmidt go on to a variety of undercover missions to different schools, which are portrayed as fictional sequels, an animated series, and a toy line. One mission features Detective Booker (Richard Grieco) while another sees the return of Ghost, who survived the helicopter explosion. In a post-credits scene, Walters reveals to Eric that he is late, implying he is pregnant.

Cast[edit]

Production[edit]

On March 17, 2012, Sony Pictures announced that it was pursuing a sequel to 21 Jump Street, signing a deal that would see Jonah Hill and Michael Bacall return to write a script treatment that would be again developed by Bacall.[17] The film was originally scheduled to be released on June 6, 2014.[18] On May 8, 2013, it was announced that the film would be pushed back a week until June 13, 2014.[19] In June 2013, it was announced the film would be titled 22 Jump Street.[20] In July 2013, Phil Lord and Christopher Miller confirmed they would return to direct the film.[21] On September 6, 2013, Amber Stevens joined the cast of the film.[12] On September 27, 2013, Kurt Russell mentioned that his son Wyatt turned down a role for The Hunger Games sequels to star in 22 Jump Street.[22]Principal photography began on September 28, 2013, in New Orleans, Louisiana, with shots in San Juan, Puerto Rico as well (acting for the shots in the movie as the spring break in "Puerto Mexico") and ended on December 15, 2013.[23][24]

The end titles, featuring satirical concepts for an ongoing series of Jump Street films and merchandise, were designed by the studio Alma Mater.[25]

Music[edit]

See also: 22 Jump Street (Original Motion Picture Score)

The score for the film was composed by Mark Mothersbaugh and was released by La-La Land Records on a double disc album, limited to 2,000 copies, in September 2014. The second disc of the album also contains the score from the film's predecessor, 21 Jump Street, composed by Mothersbaugh as well.[26]

Release[edit]

Box office[edit]

22 Jump Street grossed $191.7 million in North America and $139.4 million in other countries for a worldwide total of $331.3 million, against a budget of $84.5 million.[4][2][27] It outgrossed the first Jump Street film, which made a total of $201.6 million during its theatrical run.[28]

22 Jump Street grossed $5.5 million at its early Thursday night showings.[29] On its opening day it grossed $25 million, including the early Thursday showings.[30] In North America, the film opened at number one in its first weekend, with $57.1 million.[31] In its second weekend, the film dropped to number two, grossing an additional $27.5 million.[32] In its third weekend, the film stayed at number two, grossing $15.8 million.[33] In its fourth weekend, the film dropped to number three, grossing $9.8 million.[34]

Critical response[edit]

On Rotten Tomatoes the film has an approval rating of 84% based on 206 reviews, with an average rating of 7/10. The site's critical consensus reads, "Boasting even more of the bromantic chemistry between its stars -- and even more of the goofy, good-natured humor that made its predecessor so much fun – 22 Jump Street is the rare sequel that improves upon the original."[35] On Metacritic, the film has a weighted average score of 71 out of 100, based on 46 critics, indicating "generally favorable reviews".[36] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[37]

Inkoo Kang of The Wrap gave the film a positive review, saying "If 22 isn't as trim and tight as its predecessor, it's certainly smarter and more heartfelt. Whether this sequel is better than the original is up for debate, but the franchise has definitely grown up."[38] Chris Nashawaty of Entertainment Weekly gave the film a B−, saying "Hill's neurotic-motormouth act and Tatum's lovable-lunkhead shtick still shoot giddy sparks."[39] Claudia Puig of USA Today gave the film three out of four stars, saying "This is the ultimate meta movie. The repetition is exactly the point."[40] Kyle Smith of the New York Post gave the film two out of four stars, saying "What's the difference between 21 Jump Street and 22 Jump Street? Same as the difference between getting a 21 and a 22 at blackjack."[41] Jocelyn Noveck of the Associated Press gave the film three out of four stars, saying "Hill and Tatum ... have a Laurel-and-Hardy-like implausible chemistry that keeps you laughing pretty much no matter what they're doing."[42] Bill Goodykoontz of The Arizona Republic gave the film four out of five stars, saying "What makes it all work is the chemistry between Hill and Tatum, which in turn, of course, is a rich source of the film's humor."[43] Michael Phillips of the Chicago Tribune gave the film three out of four stars, saying "The peculiar sweetness of 21 Jump Street has taken a hiatus in 22 Jump Street, a brazen sequel that's both slightly disappointing and a reliable, often riotous 'laffer' in the old Variety trade-magazine parlance."[44]Peter Travers of Rolling Stone gave the film three out of four stars, saying "22 Jump Street is damn funny, sometimes outrageously so. It laughs at its own dumb logic and invites us in on the fun."[45] Joe Neumaier of the New York Daily News gave the film three out of four stars, saying "Like its stars, Jump Street gets extra credit for getting by on charm while sticking to the rules."[46] Ian Buckwalter of NPR gave the film a seven out of ten, saying "What separates 22 Jump Street from sequel mediocrity is that everyone's in on the joke."[47]

Sean Fitz-Gerald of The Denver Post gave the film three out of four stars, saying "Jump Street knows you know about the predictability and cheapness of sequels and rip-offs – and in this case, to avoid the downfalls of other summer comedy sagas, embracing that problem might have been the best move for this absurd, unique franchise."[48] Betsy Sharkey of the Los Angeles Times gave the film a positive review, saying "This sequel's spoof of its predecessor's riff on the original 1980s-era buddy-cop TV show coalesces into a raucous, raunchy, irreverent, imperfect riot."[49] Ty Burr of The Boston Globe gave the film three and a half stars out of four, saying "Lord and Miller are on a roll, and there may be no better moviemakers at playing to our modern need for irony – at giving us the entertainment we crave while acknowledging our distrust of it."[50] Rene Rodriguez of the Miami Herald gave the film three out of four stars, saying "There's something going on at the edges of the frame in practically every scene of 22 Jump Street, a testament to the care and attention to detail directors Lord and Miller bring to this potentially silly material."[51] Stephen Whitty of the Newark Star-Ledger gave the film two and a half stars out of four, saying "At what point is sarcasm just a cheap substitute for wit? Exactly when does joking about how all sequels are just lame, repetitive cash-grabs start to suggest that maybe yours is, too? Actually, in this case, about 40 minutes in."[52] Bill Zwecker of the Chicago Sun-Times gave the film three out of four stars, saying "Though I enjoyed enormously this latest offering in the rebooted Jump franchise, it's the effortless, unexpected bromance/partnership between the two unlikely undercover cops is what makes this franchise work."[53]

James Berardinelli of ReelViews gave the film two and a half stars out of four, saying "There are times when 22 Jump Street is borderline brilliant. Unfortunately, those instances are outnumbered by segments that don't work for one reason or another."[54] Jaime N. Christley of Slant Magazine gave the film two out of four stars, saying "As funny and batshit insane as the movie often is, the fact that 22 Jump Street knows it's a tiresome sequel doesn't save it from being a tiresome sequel, even as Lord and Miller struggle to conceal the bitter pill of convention in the sweet tapioca pudding of wall-to-wall jokes."[55] Scott Tobias of The Dissolve gave the film three and a half stars out of five, saying "22 Jump Street squeezes every last drop of comic inspiration it can get from Tatum and Hill, as well as the very notion of a sequel to such a superfluous enterprise."[56] Steve Persall of the Tampa Bay Times gave the film a B, saying "22 Jump Street is a mixed bag of clever spoofery and miscalculated outrageousness. The unveiled homoeroticism of practically all interaction between Jenko and Schmidt is amusing to the point when it isn't."[57] Ann Hornaday of The Washington Post gave the film three out of five stars, saying "This is a sequel that wears its well-worn formula, mocking inside jokes and gleeful taste for overkill proudly, flying the high-lowbrow flag for audiences that like their comedy just smart enough to be not-too-dumb."[58] Scott Foundas of Variety gave the film a positive review, saying "22 Jump Street hits far more often than it misses, and even when it misses by a mile, the effort is so delightfully zany that it's hard not to give Lord and Miller an 'A' for effort."[59]

Peter Howell of the Toronto Star gave the film three out of four stars, saying "If it seemed Channing Tatum and Jonah Hill couldn't possibly exceed their over-the-top buddy cop antics of 21 Jump Street, you lost that bet."[60] Tom Long of The Detroit News gave the film a B-, saying "There's no real reason 22 Jump Street should work. Yet it does."[61] Joe Williams of the St. Louis Post-Dispatch gave the film three out of four stars, saying "A self-aware sequel has to hop over hurdles to keep from swallowing its own tail, but the sharp writing and tag-team antics lift 22 Jump Street to a high level."[62] Mick LaSalle of the San Francisco Chronicle gave the film three out of four stars, saying "22 Jump Street is exactly what comedy is today. It's coarse, free-flowing and playful."[63] In 2016, James Charisma of Playboy ranked the film #13 on a list of 15 Sequels That Are Way Better Than The Originals.[64]

Home media[edit]

22 Jump Street was released on DVD and Blu-ray on November 18, 2014.[65]

Sequel and spin-offs[edit]

On September 10, 2014, 23 Jump Street was confirmed.[66] Channing Tatum had yet to sign on to the project, stating, "I don't know if that joke works three times, so we'll see."[67] On August 7, 2015, it was revealed that Lord and Miller would not direct the film, but instead write and produce. A first draft of the film's script has been completed.[68] On December 10, 2014, it was revealed that Sony was planning a crossover between Men in Black and Jump Street. The news was leaked after Sony's system was hacked[69] and then confirmed by the directors of the films, Chris Miller and Phil Lord, during an interview about it.[70][6]James Bobin was announced as the director in March 2016.[7][8] The title of the crossover was later revealed as MIB 23, and it was revealed that the crossover would replace a 23 Jump Street film.

In early 2015, a female-driven 21 Jump Street film was rumored to also be in the works. In December 2016, Rodney Rothman was confirmed to make his directorial debut on the film.[71][72]

References[edit]

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  5. ^Agar, Chris (September 10, 2014). "'23 Jump Street' in the Works; No Director Attached Yet". ScreenRant.com. 
  6. ^ abAlexander, Julia (March 4, 2016). "Report: 23 Jump Street will be a crossover with Men in Black". Polygon. 
  7. ^ abThat 21 Jump Street-Men In Black Crossover Is Actually Happening
  8. ^ abFranich, Darren (April 13, 2016). "Sony confirms Charlie's Angels reboot, Jump Street-Men in Black crossover". entertainment Weekly. Retrieved April 13, 2016. 
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  12. ^ abKroll, Justin (September 6, 2013). "Amber Stevens Signs Up For '22 Jump Street'". Chicago Tribune. Retrieved October 1, 2013. 
  13. ^"'Workaholics' Star Jillian Bell Joins Jonah Hill, Channing Tatum in '22 Jump Street' (Exclusive)". TheWrap. September 12, 2013. Retrieved February 10, 2014. 
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  15. ^McCarthy, Erin. "10 Things to Know About '22 Jump Street'". MentalFloss.com. Retrieved March 24, 2016. 
  16. ^ abZalben, Alex (June 13, 2014). "'22 JUMP STREET': 9 EASTER EGGS AND CAMEOS YOU MIGHT HAVE MISSED". MTV. Retrieved March 24, 2016. 
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  19. ^"21 Jump Street 2 Takes Jurassic Park 4's Old Date". ComingSoon.net. May 8, 2013. Retrieved September 28, 2013. 
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  30. ^Mendelson, Scott (May 28, 2014). "Friday Box Office: '22 Jump Street' – $25M, 'How To Train Your Dragon 2' – $18.5M". Forbes. Retrieved June 14, 2014. 
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  32. ^"Weekend Box Office Results for June 20–22, 2014". Box Office Mojo. Retrieved June 24, 2014. 
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  38. ^"'22 Jump Street' Review: Channing Tatum and Jonah Hill Star in a Funnier, Smarter, Sexier Sequel". TheWrap. Retrieved June 14, 2014. 
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  41. ^Smith, Kyle (June 11, 2014). "Lame '22 Jump Street' is a forced copycat of the original". Nypost.com. Retrieved June 14, 2014. 
  42. ^Noveck, Joceyln. "Review: Inspired comic chemistry in '22 Jump St'". U-T San Diego. Retrieved June 14, 2014. 
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  47. ^Buckwalter, Ian. "Familiarity But No Contempt: The Sequel Says 'Jump,' You Say 'Oh, Hi!'". NPR. Retrieved June 14, 2014. 
  48. ^Fitz, Sean (June 13, 2014). ""22 Jump Street": Jonah Hill slings self-aware comedy". The Denver Post. Retrieved June 14, 2014. 
  49. ^"'22 Jump Street' pokes its R-rated finger at everything — hilariously – Los Angeles Times". Latimes.com. June 12, 2014. Retrieved June 14, 2014. 
  50. ^"'22 Jump Street' deconstructs that useless Hollywood artifact the blockbuster sequel – Movies". The Boston Globe. Retrieved June 14, 2014. 
  51. ^Rodriguez, Rene. "'22 Jump Street' (R)". miami.com. Retrieved June 14, 2014. 
  52. ^Whitty, Stephen. "'22 Jump Street' review: Channing and Tatum cop to cashing in". The Star-Ledger. NJ.com. Retrieved June 14, 2014. 
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  54. ^"Reelviews Movie Reviews". Reelviews.net. Retrieved June 14, 2014. 
  55. ^"22 Jump Street | Film Review". Slant Magazine. June 9, 2014. Retrieved June 14, 2014. 
  56. ^Tobias, Scott. "22 Jump Street / The Dissolve". Thedissolve.com. Retrieved June 14, 2014. 
  57. ^Persall, Steve. "Review: '22 Jump Street' sequel is best when mocking its flaws". Tampabay.com. Retrieved June 14, 2014. 
  58. ^Hornaday, Ann (June 12, 2014). "'22 Jump Street' review: The right way to come back for more". The Washington Post. Retrieved June 14, 2014. 
  59. ^Foundas, Scott (June 2, 2014). "'22 Jump Street' Review: Channing Tatum, Jonah Hill Return for Sequel". Variety. Retrieved June 14, 2014. 
  60. ^"22 Jump Street laughs at itself, again: review". Toronto: Thestar.com. July 25, 2012. Retrieved June 14, 2014. 
  61. ^"Review: No reason '22 Jump Street' should work – but it does". The Detroit News. March 6, 2014. Retrieved June 14, 2014. 
  62. ^

Year-End Lists

Notable, browsable lists of the year's best music, movies, books, and TV shows. End-of-year lists are fingerprints; aggregate statistics are smudges. Therefore, no tallies. Follow the link for each list to see essential commentary from its authors, at the source.

December 22, 2017

David Orr: The Best Poetry of 2017

David Orr: The Best Poetry of 2017 (as published by The New York Times)

  • The Complete Poems of A.R. Ammons – A.R. Ammons
  • The Essential W.S. Merwin – W.S. Merwin
  • I Am Flying into Myself: Selected Poems, 1960-2014 – Bill Knott
  • So Where Are We? – Lawrence Joseph
  • Before Dawn on Bluff Road / Hollyhocks in the Fog: Selected New Jersey Poems / Selected San Francisco Poems – August Kleinzahler
  • Daylily Called It a Dangerous Moment – Alessandra Lynch
  • Sun in Days – Meghan O’Rourke
  • Witch Wife – Kiki Petrosino
  • Fiends Fell – Tom Pickard
  • The Trembling Answers – Craig Morgan Teicher
  • Phrasis – Wendy Xu
December 22, 2017

Noel Murray: 20 Best TV Shows of 2017

Noel Murray: 20 Best TV Shows of 2017 (as published by The Verge)

  • Twin Peaks: The Return
  • Halt and Catch Fire
  • The Leftovers
  • The Marvelous Mrs. Maisel
  • Mindhunter
  • Black-ish
  • Better Call Saul
  • Fargo
  • The Good Place
  • One Day at a Time
  • Brockmire
  • Feud
  • Great News
  • The Vietnam War
  • Outlander
  • Brooklyn Nine-Nine
  • The Deuce
  • Rick and Morty
  • Stranger Things
  • Survivor’s Remorse
December 22, 2017

Tasha Robinson: 15 Best Movies of 2017

Tasha Robinson: 15 Best Movies of 2017 (as published by The Verge)

  • Get Out – Jordan Peele
  • Phantom Thread – Paul Thomas Anderson
  • A Ghost Story – David Lowery
  • Brigsby Bear – Dave McCary
  • I, Tonya – Craig Gillespie
  • mother! – Darren Aronofsky
  • Mary and the Witch’s Flower – Hiromasa Yonebayashi
  • The Breadwinner – Nora Twomey
  • Lady Bird – Greta Gerwig
  • Professor Marston and the Wonder Women – Angela Robinson
  • Wonder Woman – Patty Jenkins
  • The Disaster Artist – James Franco
  • BPM (Beats Per Minute) – Robin Campillo
  • Baby Driver – Edgar Wright
  • The Red Turtle – Michael Dudok de Wit
December 22, 2017

Steve Erickson: Top 26 Films of 2017

Steve Erickson: Top 26 Films of 2017 (as published by Gay City News)

  1. Get Out – Jordan Peele
  2. Nocturama – Bertrand Bonello
  3. Wormwood – Errol Morris
  4. Personal Shopper – Olivier Assayas
  5. Starless Dreams – Mehrdad Oskouei
  6. Raw – Julia Ducournau
  7. i hate myself :) – Joanna Arnow
  8. The Other Side of Hope – Aki Kaurismäki
  9. The Shape of Water – Guillermo del Toro
  10. Marjorie Prime – Michael Almereyda

Runners-up

  • Beach Rats – Eliza Hittman
  • Behemoth – Zhao Liang
  • City of Ghosts – Matthew Heineman
  • Colossal – Nacho Vigalondo
  • Columbus – Kogonada
  • Endless Poetry – Alejandro Jodorowsky
  • Ex Libris: New York Public Library – Frederick Wiseman
  • The Florida Project – Sean Baker
  • mother! – Darren Aronofsky
  • Mudbound – Dee Rees
  • My Friend Dahmer – Marc Meyers
  • On the Beach at Night Alone – Hong Sang-soo
  • Phantom Thread – Paul Thomas Anderson
  • A Quiet Passion – Terence Davies
  • The Untamed – Amat Escalante
  • The Woman Who Left – Lav Diaz
December 22, 2017

David Bianculli: Best TV of 2017

David Bianculli: Best TV of 2017 (as aired on NPR’s Fresh Air)

  1. Better Call Saul
  2. Godless
  3. Curb Your Enthusiasm
  4. Fargo
  5. Legion
  6. Mindhunter
  7. Black Mirror
  8. The Americans
  9. The Good Place
  10. Big Little Lies
  11. [tie] The Deuce
  12. [tie] The Handmaid’s Tale
December 22, 2017

Sputnikmusic: Top 50 Albums of 2017

Sputnikmusic: Top 50 Albums of 2017

  1. The National – Sleep Well Beast
  2. Ulver – The Assassination of Julius Caesar
  3. Kendrick Lamar – DAMN.
  4. Manchester Orchestra – A Black Mile To The Surface
  5. The Menzingers – After the Party
  6. Blood Cultures – Happy Birthday
  7. Lorde – Melodrama
  8. Gang of Youths – Go Farther in Lightness
  9. Pain of Salvation – In the Passing Light of Day
  10. Vince Staples – Big Fish Theory
  11. Brand New – Science Fiction
  12. Tyler, The Creator – Flower Boy
  13. Phoebe Bridgers – Stranger in the Alps
  14. Mount Eerie – A Crow Looked at Me
  15. Paramore – After Laughter
  16. The War on Drugs – A Deeper Understanding
  17. Glassjaw – Material Control
  18. Arca – Arca
  19. Sampha – Process
  20. St. Vincent – MASSEDUCTION
  21. Falls of Rauros – Vigilance Perennial
  22. Fleet Foxes – Crack-Up
  23. [tie] Jürg Frey – Ephemeral Constructions
  24. Fever Ray – Plunge
  25. Fen – Winter
  26. Artificial Brain – Infrared Horizon
  27. DispersE – Foreword
  28. Iglooghost – Neō Wax Bloom
  29. Slowdive – Slowdive
  30. Propagandhi – Victory Lap
  31. Steven Wilson – To the Bone
  32. Bedwetter – Vol. 1: Flick Your Tongue Against Your Teeth and Describe the Present
  33. Wolves in the Throne Room – Thrice Woven
  34. Krallice – Go Be Forgotten
  35. BROCKHAMPTON – SATURATION II
  36. Cradle of Filth – Cryptoriana – The Seductiveness of Decay
  37. Do Make Say Think – Stubborn Persistent Illusions
  38. PVRIS – All We Know of Heaven, All We Need of Hell
  39. Blanck Mass – World Eater
  40. King Krule – The OOZ
  41. And So I Watch You From Afar – The Endless Shimmering
  42. Lykantropi – Lykantropi
  43. Julien Baker – Turn Out the Lights
  44. The Smith Street Band – More Scared of You Than You Are of Me
  45. Dad Thighs – The Ghosts That I Fear
  46. death’s dynamic shroud – Heavy Black Heart
  47. The World Is A Beautiful Place & I Am No Longer Afraid To Die – Always Foreign
  48. 1800HaightStreet – Endless
  49. Benjamin Clementine – I Tell A Fly
  50. Sorcerer – The Crowning of the Fire King
December 22, 2017

Adrian Martin: Top Ten Films of 2017

Adrian Martin: Top Ten Films of 2017

  1. Sweet Dreams – Marco Bellocchio
  2. Twin Peaks: The Return – David Lynch
  3. Lover for a Day – Philippe Garrel
  4. Detroit – Kathryn Bigelow
  5. Nocturama – Bertrand Bonello
  6. Hermia & Helena – Matías Piñeiro
  7. The Unknown Girl – Jean-Pierre and Luc Dardenne
  8. Song to Song – Terrence Malick
  9. The Assignment – Walter Hill
  10. Creepy – Kiyoshi Kurosawa

A special word for two Australian films

  • Strange Colours – Alena Lodkina
  • Songs of Revolution – Bill Mousoulis
December 22, 2017

Pigeons & Planes: Best Albums of 2017

Pigeons & Planes: Best Albums of 2017

  1. Kendrick Lamar – DAMN.
  2. SZA – Ctrl
  3. Lorde – Melodrama
  4. BROCKHAMPTON – SATURATION III
  5. JAY-Z – 4:44
  6. Smino – blkswn
  7. Daniel Caesar – Freudian
  8. Vince Staples – Big Fish Theory
  9. Future – FUTURE
  10. Ty Dolla $ign – Beach House 3
  11. JID – The Never Story
  12. Tyler, The Creator – Flower Boy
  13. King Krule – The OOZ
  14. Sampha – Process
  15. BROCKHAMPTON – SATURATION II
  16. J Hus – Common Sense
  17. 21 Savage, Offset & Metro Boomin – Without Warning
  18. Syd – Fin
  19. Kodak Black – Painting Pictures
  20. Migos – Culture
  21. Yung Lean – Stranger
  22. Japanese Breakfast – Soft Sounds from Another Planet
  23. GoldLink – At What Cost
  24. Rex Orange County – Apricot Princess
  25. Toro y Moi – Boo Boo
  26. Playboi Carti – Playboi Carti
  27. Mac DeMarco – This Old Dog
  28. Jaden Smith – SYRE
  29. Giggs – Wamp 2 Dem
  30. Moses Sumney – Aromanticism
  31. 21 Savage – Issa
  32. Mount Eerie – A Crow Looked at Me
  33. Gucci Mane – Droptopwop
  34. Kelela – Take Me Apart
  35. Thundercat – Drunk
  36. St. Vincent – MASSEDUCTION
  37. Young Thug – BEAUTIFUL THUGGER GIRLS
  38. Corbin – Mourn
  39. Wiki – No Mountains In Manhattan
  40. Stormzy – Gang Signs & Prayer
  41. Miguel – War & Leisure
  42. Aminé – Good For You
  43. Run the Jewels – Run the Jewels 3
  44. IDK – IWASVERYBAD
  45. Drake – More Life
  46. Choker – Peak
  47. Lil Pump – Lil Pump
  48. Khalid – American Teen
  49. Cyhi The Prynce – No Dope on Sundays
  50. Charli XCX – Number 1 Angel
December 22, 2017

Guardian: 50 Top Films of 2017

The Guardian: 50 Top Films of 2017 (of US releases)

  1. Call Me by Your Name – Luca Guadagnino
  2. The Florida Project – Sean Baker
  3. Get Out – Jordan Peele
  4. Phantom Thread – Paul Thomas Anderson
  5. Lady Bird – Greta Gerwig
  6. The Post – Steven Spielberg
  7. The Shape of Water – Guillermo del Toro
  8. Blade Runner 2049 – Denis Villeneuve
  9. A Ghost Story – David Lowery
  10. Lady Macbeth – William Oldroyd
  11. mother! – Darren Aronofsky
  12. Dunkirk – Christopher Nolan
  13. God’s Own Country – Francis Lee
  14. The Meyerowitz Stories (New and Selected) – Noah Baumbach
  15. Raw – Julia Ducournau
  16. Good Time – Ben Safdie and Joshua Safdie
  17. Heal the Living – Katell Quillévéré
  18. Personal Shopper – Olivier Assayas
  19. I Am Not Your Negro – Raoul Peck
  20. The Killing of a Sacred Deer – Yorgos Lanthimos
  21. Graduation – Cristian Mungiu
  22. The Lost City of Z – James Gray
  23. BPM (Beats Per Minute) – Robin Campillo
  24. Mudbound – Dee Rees
  25. I, Daniel Blake – Ken Loach
  26. War for the Planet of the Apes – Matt Reeves
  27. Three Billboards Outside Ebbing, Missouri – Martin McDonagh
  28. Detroit – Kathryn Bigelow
  29. T2 Trainspotting – Danny Boyle
  30. Faces Places – Agnès Varda and JR
  31. The Beguiled – Sofia Coppola
  32. The Square – Ruben Östlund
  33. Logan – James Mangold
  34. Girls Trip – Malcolm D. Lee
  35. Logan Lucky – Steven Soderbergh
  36. Baby Driver – Edgar Wright
  37. Strong Island – Yance Ford
  38. Colossal – Nacho Vigalondo
  39. The Big Sick – Michael Showalter
  40. The Disaster Artist – James Franco
  41. Beatriz at Dinner – Miguel Arteta
  42. The Work – Jairus McLeary and Gethin Aldous
  43. A Quiet Passion – Terence Davies
  44. My Cousin Rachel – Roger Michell
  45. Menashe – Joshua Z Weinstein
  46. The Salesman – Asghar Farhadi
  47. Ingrid Goes West – Matt Spicer
  48. Marjorie Prime – Michael Almereyda
  49. Stronger – David Gordon Green
  50. Molly’s Game – Aaron Sorkin
December 22, 2017

Guardian: Best Albums of 2017

The Guardian:Best Albums of 2017

  1. St. Vincent – MASSEDUCTION
  2. Kendrick Lamar – DAMN.
  3. SZA – Ctrl
  4. Lorde – Melodrama
  5. Perfume Genius – No Shape
  6. LCD Soundsystem – american dream
  7. The War on Drugs – A Deeper Understanding
  8. Thundercat – Drunk
  9. Kelela – Take Me Apart
  10. Richard Dawson – Peasant
  11. Jane Weaver – Modern Kosmology
  12. Wolf Alice – Visions of a Life
  13. Tyler, The Creator – Flower Boy
  14. J Hus – Common Sense
  15. The Horrors – V
  16. Father John Misty – Pure Comedy
  17. Drake – More Life
  18. Stormzy – Gang Signs & Prayer
  19. Laura Marling – Semper Femina
  20. Sampha – Process
  21. Cigarettes After Sex – Cigarettes After Sex
  22. King Krule – The OOZ
  23. Vince Staples – Big Fish Theory
  24. Protomartyr – Relatives in Descent
  25. The National – Sleep Well Beast
  26. Paramore – After Laughter
  27. Marika Hackman – I’m Not Your Man
  28. Slowdive – Slowdive
  29. Alvvays – Antisocialites
  30. Girl Ray – Earl Grey
  31. Charlotte Gainsbourg – Rest
  32. Four Tet – New Energy
  33. Miguel – War & Leisure
  34. Juana Molina – Halo
  35. Nick Hakim – Green Twins
  36. Rhiannon Giddens – Freedom Highway
  37. Sparks – Hippopotamus
  38. Baxter Dury – Prince of Tears
  39. Cloud Nothings – Life Without Sound
  40. Moses Sumney – Aromanticism
  41. Courtney Barnett & Kurt Vile – Lotta Sea Lice
  42. Julie Byrne – Not Even Happiness
  43. Kaitlyn Aurelia Smith – The Kid
  44. The xx – I See You
  45. Powerdance – The Lost Art of Getting Down
  46. Les Amazones d’Afrique – République Amazone
  47. Mount Eerie – A Crow Looked at Me
  48. Vijay Iyer Sextet – Far from Over
  49. Lisa Knapp – Till April Is Dead – A Garland of May
  50. Trio Da Kali & Kronos Quartet – Ladilikan
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